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The Shadow is the name of a collection of serialized dramas, originally in s pulp novels , and then in a wide variety of media.
Its title character has been featured on the radio, in a long-running pulp magazine series, in American comic books , comic strips , television , serials, video games , and at least five feature films.
The radio drama included episodes voiced by Orson Welles. Originally created to be a mysterious radio-show narrator, The Shadow  was developed into a distinctive literary character in by writer Walter B.
The first issue of The Shadow Magazine went on sale on April 1, , a pulp series. On September 26, , The Shadow radio drama , a new radio series based on the character as created by Gibson for the pulp magazine, premiered with the story "The Death House Rescue," in which The Shadow was characterized as having "the power to cloud men's minds so they cannot see him.
The introduction from The Shadow radio program "Who knows what evil lurks in the hearts of men? The Shadow knows! At the end of each episode, The Shadow reminded listeners that "The weed of crime bears bitter fruit!
Crime does not pay. Crime does not pay Chrisman and Sweets thought the upcoming series should be narrated by a mysterious storyteller with a sinister voice, and began searching for a suitable name.
Thus, beginning on July 31, ,   "The Shadow" was the name given to the mysterious narrator of the Detective Story Hour radio program.
The narrator was initially voiced by James LaCurto,  who was replaced after four months by prolific character actor Frank Readick Jr.
Listeners found the sinister announcer much more compelling than the unrelated stories. They soon began asking newsdealers for copies of "that Shadow detective magazine," even though it did not exist.
Gibson to begin writing stories about "The Shadow. The first story produced was " The Living Shadow ," published April 1, Gibson's characterization of The Shadow laid the foundations for the archetype of the superhero, including stylized imagery and title, sidekicks, supervillains, and a secret identity.
Clad in black, The Shadow operated mainly after dark as a vigilante in the name of justice, terrifying criminals into vulnerability.
French comics historian Xavier Fournier notes other similarities with another silent serial, The Shielding Shadow , whose protagonist had a power of invisibility, and considers The Shadow to be a mix between the two characters.
In the s, some Shadow comic strips were translated in France as adventures of Judex. Because of the great effort involved in writing two full-length novels every month, several guest writers were hired to write occasional installments in order to lighten Gibson's workload.
In the late s, mystery novelist Bruce Elliott also a magician temporarily replaced Gibson as the primary author of the pulp series. Gibson wrote three new "official" stories between and The first began a new series of nine updated Shadow novels from Belmont Books , starting with Return of The Shadow under his own name.
In these novels, The Shadow is given psychic powers, including the radio character's ability "to cloud men's minds," so that he effectively became invisible; he is more of a spymaster than crime fighter in these eight updated novels.
The novel, written by Will Murray , used unpublished material originally written in by Doc Savage originator Lester Dent and published under the pen name Kenneth Robeson.
Set in , the story details the conflict between the two pulp magazine icons during a crime wave caused by a murderous kidnapping-extortion ring led by the mysterious criminal mastermind known as the Funeral Director.
A sequel, Empire of Doom , was published in and takes place seven years later in The Shadow's old enemy, Shiwan Khan, attacks his hated adversary.
As depicted in the pulps, The Shadow wore a wide-brimmed black hat and a black, crimson-lined cloak with an upturned collar over a standard black business suit.
In the s comic books, the later comic book series, and the film starring Alec Baldwin , he wore either the black hat or a wide-brimmed, black fedora and a crimson scarf just below his nose and across his mouth and chin.
Both the cloak and scarf covered either a black double-breasted trench coat or a regular black suit. As seen in some of the later comics series, The Shadow also would wear his hat and scarf with either a black Inverness coat or Inverness cape.
In the radio drama that debuted in , The Shadow does not wear a costume because he is invisible when he operates as a vigilante, a feature born out of necessity.
Time constraints of s radio made it difficult to explain to listeners where The Shadow was hiding and how he remained concealed from criminals until he was ready to strike, so the character was given invisibility, meaning the criminals like the radio audience only knew him by his haunting voice.
The actor used their normal voice when the hero was in his civilian identity of Lamont Cranston and effects were added when he became invisible and acted as The Shadow, his voice now having a sinister and seemingly omnipresent quality.
To explain this power, radio episodes regularly said that while a young man, The Shadow traveled around the world and then "through the Orient" where he learned how to read thoughts and became a master of hypnotism , granting him "the mysterious power to cloud men's minds, so they could not see him.
He does not wear a mask or any disguise while invisible, and so in episodes such as "The Temple Bells of Neban" he is cautious when he meets an enemy who could potentially disrupt his hypnotic abilities, exposing his true face and instantly making him a visible target for attack.
Early stories explain he was once a famed aviator who fought for the French during World War I , known by the alias the "Black Eagle" according to one character in The Shadow's Shadow After the war's conclusion, Allard finds a new challenge in waging war on criminals.
Allard falsifies his death by crash landing his plane in Guatemala , encountering the indigenous "Xinca tribe" as a result, who see him as a supernatural being and provide him with two loyal aids.
Allard returns to the United States and takes residence in New York City , adopting numerous identities to acquire valuable information and conceal his true nature, and recruiting a variety of agents to aid his war on crime, only a few of whom are aware of his other identities.
As the vigilante called The Shadow, Allard hunts down and often violently confronts criminals, armed with Colt. One such trick is The Devil's Whisper, a chemical compound on the thumb and forefinger, causing a flash of bright flame and sharp explosion when he snaps his fingers.
The Shadow is also known for wearing a ring with a purple stone sometimes depicted as a red stone in cover artwork , gifted to Kent Allard from the Czar of Russia during World War I.
The ring is later said to be one of two rings made with gemstones taken from the eyes of an idol made by the Xinca tribe The Shadow Unmasks, The Shadow's best known alter ego is Lamont Cranston, a "wealthy young man-about-town.
The Shadow's disguise as Cranston works well because the two men resemble each other Dictator of Crime , In their first meeting, The Shadow threatens Cranston, saying that unless the playboy agrees to allow the aviator to use his identity when he is abroad, then Allard will simply take over the man's identity entirely, having already made arrangements to begin the process, including switching signatures on various documents.
Although alarmed at first, the real Lamont Cranston agrees, deciding that sharing his resources and identity is better than losing both entirely.
The two men sometimes meet afterward in order to impersonate each other Crime over Miami , The Shadow's other disguises include: businessman Henry Arnaud , who like Cranston is a real person whose identity Allard simply assumes at times, as revealed in Arnaud's first appearance The Black Master March 1, ; elderly Isaac Twambley , who first appears in No Time For Murder December ; and Fritz , an old, seemingly slow-witted, uncommunicative janitor who works at police headquarters, listening in on conversations and examining recovered evidence, first appearing in The Living Shadow April For the first half of The Shadow's tenure in the pulps, his past and true identity outside of his Cranston disguise are ambiguous.
In The Living Shadow , a thug claiming to have seen the Shadow's face recalls seeing "a piece of white that looked like a bandage.
In the radio drama series that premiered in , the Allard secret identity and backstory were dropped for simplicity's sake. The radio incarnation of The Shadow is really and only Lamont Cranston with no other regular cover identities, though he does adopt disguises and short-term aliases during some adventures.
The radio version of Cranston travels the world to "learn the old mysteries that modern science has not yet rediscovered" "Death House Rescue" in Along with learning skills and knowledge in Europe, Africa, and Asia, he spends time training with a Yogi priest, "Keeper of the Temple of Cobras," in Delhi and learns how to read thoughts and hypnotize people enough to "cloud" their minds, making himself invisible to them as revealed in the episode "The Temple Bells of Neba" in He explicitly states in several episodes that his talents are not magic but based on science.
Returning to New York, he decides he can best aid the police and his city by operating outside the law as an invisible vigilante.
He is somewhat less ruthless and more compassionate than the pulp incarnation. Weston believes Cranston is merely a rich playboy who dabbles in detective work out of curiosity.
Another police contact is Detective later Inspector Joseph Cardona, a key character in many Shadow novels.
In contrast to the pulps, The Shadow radio drama limited the cast of major characters to The Shadow, Commissioner Weston, and Margo Lane, the last of whom was created for the radio series.
Along with giving The Shadow a love interest, Margo was created because it was believed that including Harry Vincent as a regular would mean an overabundance of male characters considering the criminals in the stories were usually male too and could possibly make it difficult for the audience to distinguish between the voices of so many male actors.
Clyde Burke made occasional appearances, but not as an agent of The Shadow. Lieutenant Cardona was a minor character in several episodes. Moe Shrevnitz identified only as "Shrevvy" made several appearances as an acquaintance of Cranston and Lane who sometimes acted as their chauffeur, unaware Cranston was actually The Shadow.
The Shadow also faces a wide variety of enemies, ranging from kingpins and mad scientists to international spies.
In addition, the villain King Kauger from the Shadow story Wizard of Crime is the unseen mastermind behind the events of Intimidation, Inc.
The Shadow also battles collectives of criminals, such as the aforementioned Hand and Silent Seven, the Salamanders, and the Hydra. A young scriptwriter, Harry Charlot, suggested the name of "The Shadow.
The narrator was first voiced by James La Curto,  but became a national sensation when radio veteran Frank Readick, Jr.
Eastern Standard Time. This marked the beginning of a long association between the radio persona and sponsor Blue Coal. Contrary to dozens of encyclopedias, published reference guides, and even Walter Gibson himself, The Shadow never served as narrator of Love Story Hour.
He appeared only in advertisements for The Shadow Magazine at the end of each episode. In October , the radio persona temporarily moved to NBC.
Frank Readick Jr. Gibson's ongoing pulps. Thus began the "official" radio drama , with year-old Orson Welles starring as Lamont Cranston, a "wealthy young man about town.
Welles did not speak the signature line, "Who knows what evil lurks in the hearts of men? In the debut episode "Death House Rescue," Cranston explains he spent years studying to London, Paris, Vienna, Egypt, China, and India, learning different fields of science as well as "the old mysteries that modern science has not yet rediscovered, the natural magic that modern psychology is beginning to understand.
In "The Temple Bells of Neba" in , he specifies that he learned how to be invisible by "clouding" peoples' minds from a Yogi priest who was "Keeper of the Temple of Cobras" in Delhi.
He indicates in "Death House Rescue" that he always intended to use his acquired knowledge to fight evil forces that evaded conventional authorities.
In the same episode, when his companion Margo Lane suggests he could work openly with the police, Cranston implies the police or public wouldn't understand or approve of his strange methods and abilities and concludes he is only effective working outside of the law.
After Welles departed the show in , Bill Johnstone was chosen to replace him and voiced the character for five seasons.
Following Johnstone's departure, The Shadow was portrayed by such actors as Bret Morrison the longest tenure, with 10 years total in two separate runs , John Archer , and Steven Courtleigh the actors were rarely credited.
The Shadow also inspired another radio hit, The Whistler , with a similarly mysterious narrator. The radio drama also introduced female characters into The Shadow's realm, most notably Margo Lane played by Agnes Moorehead , among others as Cranston's love interest, crime-solving partner, and the only person who knows his identity as The Shadow.
Although the exact nature of their relationship was not explicitly stated, she mentions in the first episode that she loves him and hopes Cranston will retire The Shadow, though she is open to him helping the police openly and without secrecy.
Four years after the radio show began, the character was introduced into the pulp novels as one of The Shadow's agents.
Her sudden, unexplained appearance in the pulps annoyed readers and generated a flurry of hate mail printed on The Shadow Magazine's letters page.
In the early scripts of the radio drama the character's name was spelled "Margot. Ken Roberts also returned as the announcer. Throughout the s and s, several dozen LPs appeared in print from other record labels that featured recordings made from the original broadcast Shadow radio show dramas.
The Shadow has been adapted for the comics several times during his long history; his first comics appearance was on June 17, , as a syndicated daily newspaper comic strip offered through the Ledger Syndicate.
Gibson, with plot lines adapted from the Shadow pulps, and the strip was illustrated by Vernon Greene. The comic strip, which ran until June 20, , comprised 14 stories: .
The Shadow daily was collected decades later in two comic book series from two different publishers see below , first in and then in Their character was called "The Shadow'" with an apostrophe , which is short for "Lamont Shadowskeedeeboomboom.
Throughout the story, someone is trying to kill Margo, getting "Shad," as she calls him, into various predicaments: He is beaten up by gangsters and has a piano dropped on him.
He tricks Margo into an outhouse the interior of which is an impossibly huge mansion that he demolishes with dynamite.
This story was reprinted in Mad Strikes Back! During the superhero revival of the s, Archie Comics published an eight-issue series, The Shadow Aug. In the first issue, The Shadow was loosely based on the radio version, but with blond hair.
In issue 2 Sept. Later issues of this eight-issue series were written by Superman co-creator Jerry Siegel. During the mids, DC Comics published an "atmospheric interpretation" of the character by writer Dennis O'Neil and artist Michael Kaluta  in a issue series Nov.
Kaluta drew issues 1—4 and 6 and was followed by Frank Robbins and then E. Fellow pulp fiction hero the Avenger guest-starred in issue He assures Batman, however, that his secret is safe with him.
The Shadow is also referenced in DC's Detective Comics , page 4, panel 2: Batman, out of costume and in disguise as an older night janitor, makes a crime fighting acknowledgement, in a thought balloon , to the Shadow.
In , another DC adaptation was developed by Howard Chaykin. While initially successful,  this version proved unpopular with traditional Shadow fans  because it depicted The Shadow using two Uzi submachine guns, as well as featuring a strong strain of black comedy and extreme violence throughout.
The Shadow , set in our modern era, was continued in as a monthly DC comics series by writer Andy Helfer editor of the miniseries ; it was drawn primarily by artists Bill Sienkiewicz issues 1—6 and Kyle Baker issues 8—19 and two Shadow Annual s.
This one-shot appeared in both hardcover and trade paperback editions. Each cover was illustrated by Greene and colored by one of Eternity's colorists.
A total of 13 issues appeared featuring just the black-and-white daily until the final issue, dated November, Some of the Shadow storylines were contained in one issue, while others were continued over into the next.
When a Shadow story ended, another tale would begin in the same issue. This back-to-back format continued until the final 13th issue.
Here is a list of the reprinted strip's storylines:. Dave Stevens ' nostalgic comics series Rocketeer contains a great number of pop culture references to the s.
Various characters from the Shadow pulps make appearances in the storyline published in the Rocketeer Adventure Magazine , including The Shadow's famous alter ego Lamont Cranston.
Two issues were published by Comico in and , but the third and final installment did not appear until years later, finally appearing in from Dark Horse Comics.
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